For the past few years I've been working on a personal series of artists in their studio spaces. As an architectural shooter, I'm interested almost as much in the spaces where artists make their work as in the artists themselves. It often feels electric to be amidst the paints and brushes and oil pastels and paper and canvases...and if not electric, it at least is inspiring to see where art is made. In a former life, I wanted to be a fine artist, a painter specifically, bu life had other plans. In photographing these people, I can sort of nostalgically relive days when I painted...there just isn't time for that for me anymore. I've found the experience to be bitter sweet, I miss it but don't have the energy (or really the talent) to make it worth my time anymore. This isn't to say that I don't still doddle (maybe I'll share some of those doodles here on the blog sometime), I just feel that my artistic efforts are better devoted to making photographs, even if they are of other artists. Here're a few of them.
Love it when other people dig my work! Best feeling in the world.
Grocery stores need photos too. This is what I learned on a fantastically fun shoot in late April for Cramer Krasselt-Milwaukee of their client's concept grocery store Metro Market. And it was a really cool grocery store to boot. The traditional ho hum grocery aisles were kept cleverly out of sight on the second floor (where you could still find your rows upon rows of shredded wheat and bran o's) while the ground floor was constructed in a way that mimics a European market, butcher department next to a dedicated spice bazaar next to a fully functional bakery next to a place that served oysters etc.
But the grocery store itself was only half of the story. This was a four day extravaganza with a sixty image shot list, a second shooter, two hotel rooms, lots of delicious food, and four four a.m. call times in a row. We had to be aware of the stores functionality, essentially, grocery stores are busy after eleven a.m. so we needed to be wrapped each day before then. So we got up early, and we worked fast, and we got some really cool images shot over a hectic four days with multiple art directors on site, a few CK higher ups dropping by periodically, a load of helpful, slightly obtrusive Milwaukee shoppers, one Milwaukee shopper who was incredibly unhelpful, grocery store employees and a sun that wouldn't help me fill in ambient light for the first three hours of each day's shooting.
But we got it done. And I developed the Chris Bradley Photography catch phrase. I'm not proud to admit that after finishing a shot on this shoot, I would shake my pretend gun hands in the sky and say 'pow pow pow'. I don't know where this comes from, and I have since discontinued its use, but at the moment, it felt right. I blame this on low blood sugar. Despite shooting in a grocery store, I'm not sure I ate enough while shooting, and as a result I now receive friendly reminders via text from my girlfriend that I should remember to eat when I'm shooting. So this is yet another positive off shoot of a really fun shoot that yielded great images, happy clients, a pretty decent chunk of change, and a chance to explore Milwaukee after getting off work at eleven a.m. for four days in a row.
So I got to shoot for Trunk Club, a super neat company that operates clubhouses where you can come and get fitted by a stylist who then coordinates a wardrobe and ships it directly to your home via the namesake trunk. I almost considered being paid in clothes. It was a fantastically fun shoot, and sort of an 'I've arrived' moment. There were like, twelve people running around the set, and mid way through, it occurred to me that I was essentially responsible for all of it. I was coordinating stylists, chatting with art directors, being extremely nice to my hard working assistants, and cranking out some pretty neat work. All that, and I'd kicked over my tripod within the first three minutes of the shoot, smashed up the lens I had planned to use, made do, and got the shoot nailed anyway. Felt really good to handle myself the way I did, and I look forward to the next big production I get to be a part of.
Just wrapped a super fun shoot with for the December 2015 issue of Arkansas Life Magazine. As a native Chicagoan, they felt that I was uniquely prepared to photograph some of the hot spots around town for their Chicago travel special, which is funny, because I'm a total and complete homebody who gets as close to these cool places as reading about them in travel magazines. Nevertheless, it was a pleasure to photograph Steppenwolf Theater, have a behind the scenes look inside a Lou Malnati's kitchen, shoot (and eat) tacos at Big Star and see some trendy accommodations at Longman & Eagle. Below is a neat slideshow with some of my favorites. Click em!
So for the bulk of August, I took my daughter West, and I learned some things about myself and how I relate to photography. We went all over the place, Badlands National Park, the Black Hills, up Pike's Peak and into the mountains at Rocky Mountain National Park. We saw Mount Rushmore and stayed a week in Breckenridge, Colorado. And I took like, three pictures of note.
I used to think landscape photography was easy, until I learned that I was no good at it. I thought 'Well, its gorgeous and it comes pre-lit, how hard can this be?'. Apparently there's more to it, and as of now, I don't know what that is. I get the foreground, middleground, background rules, and I know that I have to wait for the right light. I get the nitty gritty technique stuff, but I'm not sure I have the personality for it. I found myself running on rocks with my daughter and chasing her up hills and throwing her into swimming pools way more than I found myself behind a camera. Of the two things I love, photography and her, its clear to me who wins out. Also, I firmly believe that memories are best created with our eyes, recording on our brains and wouldn't sacrifice the ability to do that by having my camera in front of my face. I think that since I'm a professional photographer, the pressure I feel to make 'good' work anytime I snap a photo keeps me from truly enjoying landscape photography, because I'd rather be in a place than photograph it.
Or maybe this is smoke and rationalization because I suck at it. Either way, here're a few images, with possibly more to come.
Door County, WI holds a special place in my heart. For about a bazillion years, various generations of my family have vacationed here. There's not as much call for traditional Wisconsin supper club meals that are four courses and all involve a big hearty slice of red meat at some point anymore, and so old family favorite restaurants are shuttered or replaced by overpriced 'haute cuisine'. There are more fancy spa resorts than there are rustic cabins now, and craft chocolatiers and distilleries outnumber cheesy miniature golf courses by a wide margin. The once incredible art scene has been watered down by people who make fine-art lawn sprinklers and 'beadwork' (chintzy tourist necklaces), but it is still obviously the place of my memories, on the surface and deeper down. The natural beauty of the place hasn't changed. Here's a few photos that prove that, and demonstrate why my kid's kids will still want to come here.
So, it was brought to my attention that my images of a concrete bunker of a home have appeared on a Russian design blog. Normally, I'd get all huffy about rights and usage, but...the irony of them liking the concrete building and the fact that my work looks cool next to cyrillic has kept me from doing so thus far. Click the link to see what I mean...
So when I was first starting out, I assisted on a shoot for Chicago Magazine and thought to myself, 'Man, maybe one day I'll get to shoot for them too.'. Last month felt very accomplished for me, as the December issue of Chicago Magazine had my work on the cover of the Home + Garden insert. I had kind of a moment.
Here's the rest of the layout.
I recently had the honor of being interviewed by Christine Wolf as part of her podcast series. We discuss the Open Studios Evanston project, my view on fine vs. commercial art and that bankers are people too. Its funny and enlightening, so check it out.
Last summer, I had the privilege of shooting a video for Bob Coscarelli. The featured house is in Lincoln Park and ran in an issue of Chicago Home + Garden. The concept here was to give a behind the scenes sneak peek at Bob's shoot for the magazine, but I ended up getting a little carried away with showing the various gorgeous details of the home. Give it a watch, it's pretty short and pretty looking. Click here to watch it!